Tag Archives: CHENNAI

The Real Essence of Kolam contest, Myalpore Festival 2018

All great cities have a soul. Mylapore can rightfully claim to be the soul of Chennai city here in south India. It pre-dates Chennai’s birth in the 17th cent. And has seen the city grow as it has, its own. Mylapore retains the look and feel of an old neighborhood, the culture and heritage typically south Indian, yet it has not escaped development. This place that is proud of its arts, culture and tradition and people is just the setting for a cultural festival. A festival held in its very heart and around a great temple. Held every year in early January. It was a grand show in 2018 and the traditional pulli kolam contest was held as a part of festival.Around 100 women and men fought it out on a four-ft-by-four-ft space for 15 prizes in the 45-minute contest on the east end of North Mada Street.  Neetesh Kumar has captured the beautiful scenes of kolam contest during the Mylapore festival and his story telling images depict  not only the real essence of old traditional pulli Kolam but also his beautiful composition.

 

Thanks Neetesh Kumar for the wonderful pictures and all images are copy right protected.

Quick Bite with Sonnet Mondal

Sonnet Mondal has read, and represented India, at literary festivals in Macedonia; Cork, Ireland; Istanbul, Turkey; Granada, Nicaragua; Sri Lanka; and Slovakia. Winner of the 2016 Gayatri Gamarsh Memorial award for literary excellence, Sonnet was one of the authors of Silk Routes Project, IWP, University of IOWA. One of the current directors of Odisha Art & Literature Festival, Sonnet Mondal edits the Indian section of Lyrikline Poetry Archive, Berlin and serves as the Editor in Chief of the Enchanting Verses Literary Review (www.theenchantingverses.org) His upcoming visits include 2018 Galle Literary Festival, Sri Lanka.

  1.Can you say something about what made you write your first poem??

I just scribbled one piece of 10 lines, back in 2006 which I don’t recall as a poem, but something which drew me into writing poetry.

  1. What does poetry mean to you? What do you feel when writing poetry?

A poet’s eye is his sensitivity and together with intellect, he creates an aperture called poetry through which readers can perceive that everything we see, feel, hear and sense is not everything. I feel like travelling through my deepest emotions while writing poetry and it allows me to examine and re-examine the world. The way how I see life is best communicated through this journey.

  1. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

No single piece of art can relate to all walks of life at the same time. Poetry portrays those emotions which cannot be pictured — through any direct exact way or through any other genre of literature.

Taking poetry as a curiosity and a form of expression — it has always had a limited yet pronounced space in the world.  The general mindset — that people don’t understand poetry and are unenthusiastic about reading poetry is a misconstrued rendition of the queries  — that readers have about poetry while thinking of buying an anthology. May be — it can be addressed to a certain extent by incorporating more poetry sessions or workshops in literary festivals or events.

  1. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

Thoughts have no time to arrive. They may pop up even in extreme situations. They are extremely volatile and evaporate easily from mind. So I mostly make notes whenever they surface in my mind and later I work upon them after 12 at night. Night somehow allows me to give the much desired shape to my muse. The desire to have an element of surprise in my life and the desire to have a sight of the skyline through the uplifting mistiness, often inspire me to write down poems.

  1. What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

Waves as such come, break and dissipate into obscurity. I think ‘Poetry’ and ‘Insta-poetry’ should not be confused. Poetry is the most pithy and figurative of all genres of literature and these artificial prefixes added to the word ‘Poetry’ don’t make them what we have known or what I call as poetry.

  1. Where do you want to take your work in the future in terms of poetry?

I never thought about taking my poetry somewhere. It travels with me like my shadow. Poetry once on paper is independent and can travel on its own — beyond the fences set by desire or time.

Thanks Prakriti foundation for organising such wonderful event.

Thanks Haris, Smita Anand and Kirbaa Karan for the wonderful pictures!

Quick Bite with Priya Sarukkai Chabria

Priya Sarukkai Chabria is a poet, writer and translator with five published books. Awarded by the Indian Government for her Outstanding Contribution to Literature her works’ translated into six languages & is published in The British Journal of Literary Translation , Drunken Boat, Pratilipi, Language for a New Century, The Literary Review, IQ, Another English: Anglophone Poems from Around the World among others. Forthcoming in 2015 are translations of Tamil mystic poet Aandaal with Ravi Shankar (Zubaan) and a short story collection (Niyogi Book).

   1.Can you say something about what made you write your first poem??

Sweltering Madras afternoons! When I was about 7 years old, I lived with my grandparents in Mylapore. Afternoons, the adults would doze and I had free run of the garden. This is my special place. It was overgrown and immensely peaceful. There was sanctity in that silence. I’ve tried to reach that secret, welcoming place every since, through words. Perhaps this was the initial spark.

  ​2. What does poetry mean to you? What do you feel when writing poetry?

​I’ve been told my way of looking at the world is poetic​ — whatever that quite means. Perhaps an intensity of gaze and hearing? Seeking resonance? Reflective? Questing beauty, the everyday sacred…

  1. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

​Doesn’t everyone become ​a poet when they fall in love? Why don’t they remain in love with life i.e. poetry?  The world will be a better place for it.

  1. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

​I write poetry whenever — on flights, before snoozing​g, I think of polishing the poem I’m working on in my sleep….  ​Poetry is a part of me. Sometimes though ​it doesn’t come easy. Sometimes pain or shock numbs me so much that I can’t write.  After my Amma passed on I couldn’t write for over six months.  At times I feared I’d never write again. Then a poem appeared, then another — trickle to flow to flood. Elegies for my mother. I’m grateful.

  1. What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

​Why not? If it’s aesthetic enough it’s fine by me.  ​Geniuses aren’t ​the preserve of ​long or classical forms. But geniuses are rare.

  1. Where do you want to take your work in d future in terms of poetry?

T​he poetry will lead, I will follow. It’s like a poetic experience.

Thanks Prakriti foundation for the wonderful event.

Thanks Haris and smita for the amazing pictures!

 

Quick Bite with Saima Afreen

Calcutta is where she grew up. To breathe she churns poems; to earn a living she works as a journalist. Her poems have been featured in The McNeese Review, The Notre Dame Review, The Nassau Review, The Asian Age, The Telegraph, The Times of India, and many other publications. Her poems have been part of several anthologies. She was invited as a poet delegate to Goa Arts and Literature Festival, 2016, Guntur Poetry Festival, TEDx VJINET, Writers Carnival, Aliah University and several other poetry platforms. She is currently working on the manuscript of her first poetry book.

  1. Can you say something about what made you write your first poem?

I was 14 when began writing poems. All I can reminisce is, one day I was feeling really restless; there was an unnamed angst which boiled inside me and wanted to erupt, get scattered. I picked up my pen, opened my notebook and wrote a poem in iambic pentameter about a crushed rose, its mingling with dust; edited it and then sent the work to The Asian Age newspaper, which had a column for students who wrote poetry. I then knew that something has changed inside me which demands to be spilled on the paper tearing a sliver of my soul.

  1. What does poetry mean to you? What do you feel when writing poetry?

Poetry is an attempt to capture the zone that flickers briefly between the fields of light and darkness. In that short a duration a poet picks up what his eye catches, his mind registers and his cells record which may not be longer than the period when the fork between two leaves holds a raindrop only to let it fall the very next moment. This speck of time is distilled, crafted, resuscitated and then blown into life while it still remains a shadow of its own shadow. It holds the hand of the reader to make him part of this magical realm.

A sort of trance possesses me while I write poetry, the feeling is indescribable.

  1. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out of its confined literary circle?

Poetry is wind, it’s always there. If you close the window and complain it’s sultry, you deny the breeze an invitation. Poetry is not rocket science, everyone can understand it and explore the journey the poet took to write the words. Can we see music? Why does an orchestra piece appeal to us? There’s something which connects with one’s being and makes one listen to it even when you don’t comprehend its nuances and the grammar involved.

Poetry isn’t confined in literary circles. If that were the case then mystic poet Rumi wouldn’t be embraced by so many people in today’s world. That’s how the other day at The Brew Room during the ongoing poetry session so many people turned up that there was hardly any space to stand, and trust me not all of them were students/aficionados of literature. Poetry festivals and reputed journals bring readers and poets together in a much faster way than before.

  1. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

No. There is no specific day or mood for me to write. Poetry comes on its own, uninvited, unannounced. It doesn’t even knock, it just stares at the pen and seeps onto the paper without me realising what’s happening. The images, of course, are already there in the subconscious lending voice to the words, colour to the depiction. Often, while I draft my journalistic reports, poems find their way onto the page. It so happened that one day while I was mentioning Russian ballerinas in one of my articles, a poem seized me till I wrote it. I titled it ‘A Song for the Twisted Feet of a Russian Ballerina’ published in an issue of The McNeese Review.

  1. What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

Depends who’s writing what. Your question has the answer. We often see oh-that-poor-brown-girl-troubled-by-misogyny-racism kind of poems bringing myriads of likes on Insta pages. Does it have the beauty of craft? Is it different from the usual attention-grabbing cacophony? Not often. Sample the beauty in these lines from Nayyirah Waheed:

           can we speak in flowers

           it will be easier for me to understand.

                       — other language

At the same time, not all, in the ‘new wave of Insta poetry’, are capable of tenderness and mastery of words. It’s a trend with ‘#MeToo’ kind of poems, if at all they meet the condition of being called poems.

  1. Where do you want to take your work in the future in terms of poetry?

Poetry is epiphany. You are in constant motion where the topography changes with every step. You can harvest both fire and water without knowing which one will seep in your words. It’s a forest which moves, and with it you move. You can’t see anything while you are within it.

Thanks Prakriti foundation for the wonderful event.

Thanks Haris, Kirbaa Karan for the wonderful images!

Quick Bite with Sharanya Manivannan

Sharanya Manivannan is the author of four books, including the award-winning short story collection, The High Priestess Never Marries and the newly-released poetry collection, The Altar of the Only World.

1.Can you say something about what made you write your first poem??

I wrote my first poem at 7 years old, and it was built around all the words I could think of that rhymed with “cat”.

  1. What does poetry mean to you? What do you feel when writing poetry?

I’ve written and read poetry for so much of my life it’s very much one of the modes through which I know myself. One of the greatest gifts poetry has given me has been consolation. At other times, it has been a way for me to salute beauty by trying to bring more into the world.

  1. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

The problem begins with how poetry is taught in schools. Students should never be forced to memorise poems, or be force-fed “meanings” of poems. This is a cruel and meaningless method, both to people and to poetry itself. Teach the word through voice, teach it as love, teach it as a shield against loneliness. It is difficult to change people’s minds later in life, when they’ve been traumatised by the way poetry has been introduced to them as children.

  1. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

Whenever a poem calls to me. This can be day or night. I’ve bolted upright from my sleep many times because the words were suddenly pouring out of me. Other times, it’s less dramatic — a subtle shift aided and accompanied by music.

  1. What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

In a lot of ways, Insta-poetry is a reaction to the horrible way poems are taught in schools. I like the accessibility of the medium, but I dislike how it encourages laziness, the need for constant validation, and a skewed relationship with one’s own work — it ceases to be craft if you’re counting likes.

  1. Where do you want to take your work in d future in terms of poetry?

I’m trying to become better as a writer of fiction, and as an illustrator. I hope poetry forgives me these extramarital alliances.

Thanks Prakriti foundation for the wonderful events!

Thanks Haris for the amazing pictures!

All images are copy right protected to Madras Photo bloggers and Prakriti foundation

Quick Bite with Ajinkya

Currently residing in Delhi, but born and brought up in Bombay, Ajinkya is co-founder of Wildfire, a tech/digital startup that creates core technologies for original content creators. He is a student and practitioner of dhrupad music, and is deeply interested in arts education. As an independent researcher (and IFA Grantee), he wrote a book (in publishing) on Learning with the Dagars. He finds solace in poetry; and is figuring out a way to balance his writing, music, and his work as an entrepreneur, and consultant. His work has been published in Gallerie. He is currently compiling his poems to publish his first anthology.

1.Can you say something about what made you write your first poem??

I think I wrote the first poem I wrote (that I can remember and still exists somewhere) for a  girl. In school. Possibly, the most filmy, and unintuitive thing to do at the time .

2.What does poetry mean to you? What do you feel when writing poetry?

For me writing is speaking. There is no  real, true communication. I see our multiplicitous, diverse life journeys as an attempt to fill the hole of the absurd and the incomprehensible with narrative and meaning. We strive to make others see as we see, feel as we feel, know as we know.

Only in the arts – in poetry, music, performance arts among others – do I feel that without explanation, without acknowledgement, without trying even, sometimes, an impulsive, almost natural connection is established. For me, poetry is a winding bridge that connects people. I like to learn people, learn spaces, learn what it means to feel and say the same things as those who walked this world thousands of years ago. I’m interested in our sameness and in our difference. Those who didn’t suffer the scourge of memory. Poetry and music – the arts and crafts – become the classroom, where we can all sit together – as naked as the first light of dawn

3.Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

Goethe said that one should “hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.”

This is, of course, spoken with the assumption of privilege of many kinds. As artists and enthusiasts, we have to question this privilege, and resist it’s oppressive and elitist gaze. This year Prakriti had a lovely selection of artists – an Ishvar Krishnan whose voice resonates with the labourer on the street to other well established poets whose truths are universal, poetry sublime.

The endeavour is always to find alternative spaces, create, as Hakim Bey would call it “art sabotage” or “poetic terrorism”. The purpose of poetry is to speak truth. Limiting it to elite spaces would only be counter productive. This becomes especially significant in the current political climate, where voices of dissent and resistance are being violently silenced. In such a situation then, poetry should become prophecy.

In street corners, public squares, classrooms, train stations, bus stops, the voices of artists must echo.

4.When do you write poetry? Is there a specific time in a day? What makes you write a poem?

I write when something builds up inside and overwhelms me in a deeply visceral way. So much so that I have to put pen to paper, or fingertip to smartscreen, or keyboard, otherwise it will kill me! The incompleteness, almost as if a peg is not fitting into a hole hurts – sometimes a word is meant to be in that exact place in the scheme of things, a note is destined to curve in a certain way. The urge of the artist becomes an obsessive one – to set things right almost

5.What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

Haha, I know where you’re going with this question. It’s a trap!

Yaar, each to her own. The frames of reference are changing. Popular opinion decides the fate of art. Social media has changed the meaning of popular opinion to loudest rant or most simplistic accusation. This is easy, but it’s not always wrong. But who are we to decide, what is and what isn’t poetry. Today even machines are writing poetry (😂) There are all kinds of art, but I relate to the kind that touches me. that takes the craft forward. I cannot expect everyone to relate in the same way.

In the end the time will decide, of course what remains, and what survives

6.Where do you want to take your work in d future in terms of poetry?

I want to explore the forms more. Create more equitable spaces where my work takes on a life of its own. I want to collaborate with other artists across the spectrum and create narratives that mean different things to different communities in society. Poetry spreads in tandem with music, visual art and theatre. I see these as different threads that form a beautiful pattern in the same patchwork tapestry. I want to stitch my work to this endeavour.

Thanks Prakriti Foundation for the wonderful event.

Thanks Smita Anand for the wonderful pictures!

All images are copy right protected to Madras Photo Bloggers and Prakriti foundation

Quick Bite with Parvathi Nayar

Parvathi Nayar is a writer, poet and contemporary visual artist based in Chennai. Parvathi Nayar plays an active role – and is deeply committed to supporting – the emerging renaissance of the contemporary in Chennai. Parvathi is best known for her videos and her complex drawing practices; she also engages with text, sculpture, painting and photography. Her works have been collected by institutions such as the Singapore Art Museum, BMW, HCL, The Sotheby’s Art Institute, The Australia India Institute and Deutsche Bank.

   1. Can you say something about what made you write your first poem??

I can’t honestly remember when I wrote my first poem, but I always did scribble bits and pieces. I so enjoy the process of writing – and rewriting!

  1. What does poetry mean to you? What do you feel when writing poetry?

For me poetry offers a form that is at once succinct and yet intense and vivid  – it is a way to talk about the things that I am thinking about or experiencing.

  1. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

I wish it could have an audience outside a literary circle, just as I wish art could have a way of speaking to a larger group of people – as this is the stuff that speaks of the human condition.

  1. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

It can take place at different times of day – its whenever I can carve out the actual time and head space for it! I’m inspired by all kinds of things to write poems – but sometimes it is an exploration for me to actually “understand” something gnawing at me, if you know what I mean. In this regard one of the poems I read out at the session stands out –  an exact from Black And White, which was written as a way of conceptualizing a solo show of mine – Drawing is a Verb at the Arts House, Singapore. It stands out as a memory from the past as a device that had a specific resonance to understanding the spatial aspect in my art. Since then a lot of the verse has had relationships with the art.

Quick bites with Erik Lindner

Erik Lindner is a poet born in 1968 in The Hague, The Netherlands. He has published five books of poetry and the novel Naar Whitebridge (De Bezige Bij, 2013). His work has been translated into many languages and in France, Germany and Italy. He has read on numerous international festivals all over the world and was a poet in residence in Berlin (DAAD Artists-in- Berlin Program), Taipei, Montreal, Athens, Marseille and Paris.According to a critic the poems of Erik Lindner can intensify our patterns of perception and sharpen our senses for what is possible.

1.Can you say something about what made you write your first poem??

My first text were written in English and more than poems they were meant to be song verses, texts to sing. But I knew at the age of fifteen or so they weren’t any good, they were clichées. Than I wrote one line in Dutch: “De wereld is zojuist de trap afgelopen en sloeg zonder woorden de deur dicht.” This is maybe also not one of the best or very original lines, but it was different, it had a different sound, it was a little strange. What made me write it is that someone left and with that I knew things would change after.

2. What does poetry mean to you? What do you feel when writing poetry?

What it means? I don’t know. I have never had high ambitious to become a poet, it is just the one thing I did that I always kept doing, the thing that was the most closest to me. Expressing in words somehow was more urgent than through images or melodies, although melody and rhythm is important in my work, also in the process of becoming a poem, in carrying it to a result. I can have all sort of feelings when I am working on a poem, from joy to sadness, the important is that putting down words again after a phase of contemplating or humming certain words together, is always a liberation. So to write makes me happy, yes. It has more than emotions or inspiration to do with a certain concentration that remains always rare. I cannot always be in that concentration, often have to wait until it is there.

3. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

No, poetry doesn’t speak to all kinds of people and indeed also not in all walks in life, if walks are meant to be different situations and circumstances. It could speak to more of them than they think, and also more often, but I have lost the evangelical approach that one would need to convince people poetry is good for them, if they don’t like it, let them do something else. But then again it is very necessary indeed to escape the literary circle, to survive as a poet, to learn from other people, to show it to other people than specialists. When I started in the 1980’s, I worked with musicians and we had poetry readings in youth clubs, alternative or squated theaters. That had quite a following, I could live from that in 1986 at the age of 18. These were audience that hardly read literature. But when my work grew and became less theatrical and more condensed and I was going towards my first official book in 1996, I depended on the inner circle of editors, publishers, specialists. Still, traveling is important, meeting new people, seeing how different poetry is in every culture in the world. And another example, I work with a very good art photographer Stephan Keppel and at openings of his exhibitions he asks me to read some poems. And his audience is not used to poetry readings, they take my words as images without frames around the picture. I like that escape of the inner circle very much.

4. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

I used to write in the late evening or early evening, but that robs one from having a social life. April 2000 I wrote my first poem waking up in the morning with a cup of coffee next to me. I remember quite well the sensation of concentration it gave. Of course, one must be good awake and not sleepy. What makes me write a poem can be many occasion, just as a poem can be theoretically about everything. But not every line can be in a poem, they must be the right lines on that specific moment. I am building up to it every time, making notes, walking around, trying to see carefully the details. And very prosaic: a deadline helps.

5. What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

I haven’t study it, I must say. It will interest me when a good poem comes out of it. I am not against using new media, that is only good. I have also collaborated on two video poems*. But a lot of these waves are temporary, somehow everyone always gets back to paper, even if other medium are at times more practical to carry.

6. Where do you want to take your work in d future in terms of poetry?

Basically everywhere. I like to go back to places I have been before, create a deeper bound with them. I need to travel more in Asia, Africa and America. But than again, even with how much I was lucky to travel with poetry since 1988, I still need more decent English translations. I have books published in German, Italian and French and that felt as an enrichment coming from a small country.  But a future poetry book in English will take my work a bit easier to readers than before.

Thanks Prakriti foundation for organising wonderful events.

Thanks Kirbaa Karan and charles for the pictures.

All images are copy right protected to Madras Photo bloggers and Prakriti foundations.

Songs of the Heart – A celebration of love, poetry and music

What happens when two cultures meet?

Some would paint a picture of conflict. But poets and musicians would beg to differ.

To them, the coming together of two cultures is a chance for dialogue, a chance to explore, experiment and reinvent. It’s a chance to create something beautiful to enchant hearts on both sides. And what better way to do that than by exploring each culture’s take on love?

Performing at the Alliance Française of Madras, AKADÊMIA – a renowned French music ensemble – teamed up with Indian artists to perform ‘Songs of the Heart’: a celebration of love through a dialogue between western Renaissance music and the works of Indian classical poets.

Beginning with a joyful choral musical piece, the evening came alive to a series of musical pieces accompanied by classical Indian poems on love.

A dialogue in truth, the performance treated the audience to a conversation between renaissance music as performed by the ensemble and the poems narrated. Throughout this dialogue, each side ‘spoke’ in turn – the musicians through their music, and the narrators through the words of the poems they recited.

Reciting a Yaksha’s loving, longing-filled description of his lover in Kalidasa’s Meghadhuta, Meera Bai’s words in devotion to her Lord Krishna, and other works and passages on longing and desire, the narrators offered the audience a glimpse into various aspects of love. A glimpse that was expanded upon by the musicians, who, under the graceful guidance of Françoise Lasserre, put into melody what words alone could not express.

What set ‘Songs of the Heart’ apart from any other musical performance or poetry reading was not the music or the poems alone. It was the way in which the poems and the musical pieces complemented each other. As the subject of each poem changed, so did the tone of the music, to either match the words and sentiments of the poem, or play a counterpoint to them.

Together, the music and poetry took the audience on a journey from the initial spark of desire and joy to the bittersweet moments of longing, and the deep sorrow of loss. A journey that culminated in poetic commentary on the fleeting nature of life, and the futility and foolishness of clinging to past sorrows. With verses urging the protagonists to let go of their sadness, the performers concluded this journey at the inevitable, final moment of letting go and moving on. A moment of rediscovery of joy, that powered the penultimate musical piece of the night.

After an hour and a half of musical dialogue, this enchanting evening came to an end with a soft musical piece by AKADÊMIA. A fitting, musical end to a magical performance and the tenth edition of Poetry with Prakriti Festival .

Thanks Prakriti foundation for organizing such amazing event.

Thanks to Akash Kapur for the wonderful write up. Thanks to Gopinath & Haris Manian for the Pictures.

All images are copy right protected to Madras Photo Bloggers and Prakriti Foundations.

A chat with the Grand old poet of India : Shri Jayanta Mahapatra

A heartwarming Poem reading by a self-actualized soul and a grand old Indian poet Shri Jayanta Mahapatra. He is the first ever Indian poet to win Sahitya Akademi award for English poetry. He is also a winner of Padma Shri, the fourth highest civilian honour in India. He is physicist by education and commenced writing poems at the age of 40. He has spent his entire life time in Cuttack, Odisha and all his poems revolves around his own land.

Our team had an opportunity to listen to his poem reading and interview the living legend during the part of Poetry with Prakriti, Festival 2017 – 10th Edition. All his poems revolve around facts of life. During our interaction with him he also shared his childhood memories, where he had run away from his home town twice. There were few questions put to him and beautiful answers from him.

The poet says anyone can write poem, quotes himself as a humble example “when a 90-year-old man like me can write poems, anyone can write”

When asked, what makes him write poems, he beautifully said that he don’t choose poems. Situations make him write poems. He said “I write What I feel, What I hear and What I see”.

Also, he added that the poems written by him are his experiences. The Poetry has taught him to love people they are!

He wrote his first poem at the age of 40. When asked, what made him to write his first poem, he said that sadness prevailing around him, made him write his first poem. Most of his poems revolves around grief experience.

As the awareness about literature and culture increasing amongst people, we inquired whether poems create impact in society. The strongly denied that Nobody cares about the poems and it doesn’t create any effect in modern society. He feels that only few readers and youngsters read poems and get influenced by it. He believes people are very selfish and egoistic. They are self-centered and busy with their own priorities in their life.

The poet began his career as a physicist. When provided an option to choose between a poem or physics, he said did not want to choose between them and said that they were like two eyes for him. He funnily said that he loves high level physics and poems because people cannot assimilate the essence of both swiftly.

Since alternate career professions are becoming popular this year, we are keen to know the poets view on new age poems. He told that, it has not taken a serious traction. He added that those poems are not really from inside a person, rather a quick outburst of expression, after reading a couple of poems from the internet by the current generation.

Lot of youngster turned out for the poetry festival. When asked about message to the young poets he said “Read a lot poems, it will inspire you to write more”.

A lifetime experience and moment which shall always be cherished, interviewing Shri Jayanta Mahapatra. Thanks to Prakriti foundation and Madras Photobloggers.

Venkat Suriyaprakash.

Thanks Haris Manian for the wonderful pictures.

All images are copy right protected to Madras Photo Bloggers and Prakriti Foundation.

The Pen’s Allurement – Poorna Swami

The crowd gathered was already traveling in a world of magical dream and Once Poorna Swami began her recital, the transformation of thoughts unveiled the senses. Clad in a white Saree, peaceful as a dove with a charismatic smile Ms Poorna had the ability to indulge every listener and guide them deep into the jungles of solitude.

Born in Bangalore Ms Poorna started writing poems from the age of six. During her childhood days poems were a collection of words that came to her mind framed to stanzas. Being a quite child, she developed a love towards the language by reading a lot of books and this paved the way to be a poet and express her interest in the language. Graduating from Mount Holyoke College she did a research study on African Studies Review focussing on Transnational Literature.

In her recent series of five Poems, “Poems in Saffron Ink” Ms Poorna condemned the current political situation in India and gave life to slain victims through her words. “The hymn of sword and gunfire” – Scintillating and yet a verse with melancholy, Ms Poorna combines the cold and calm entities to emote the characters of her poem.

“One doesn’t have to be a professional in literature to write poems”. she says, crediting to various malayalam poetry in social media which are being written by everyone with the knowledge in language and no exposure in the advanced literary world. Ms Poorna’s poems have a strong story behind and there is a lot of research behind every composition. Most of her works have a political touch voicing out the struggles and anguish of a common man. General Elections India. 2014, Prayer for Dadri 2015 and Assimilation are few of her poems that had the spark to revolutionize. Among her works she refers to Etymology as her favourite. A love poem written without punctuations it relieved her from the heart when written, says Poorna. Being an avid reader right from childhood Ms Poorna’s all-time favourite is Jack Gilbert’s “The Forgotten Dialect of the Heart”.

Apart from Poetry, Ms Poorna has also been dancing from the age of six. Also Graduated in Dance from Mount Holyoke College, she feels that dance helps to express what poetry cannot. Over the last few years she has been dancing for her own poetry and also performing for theatre events across the world.

Thanks Pakriti foundation for organizing such beautiful event in Chennai

Thanks Sai Karthik for the wonderful article.  All images are taken Kirbaa Karan and Haris Manian.

All images are copy right protected to Madras Photo Bloggers and Prakriti Foundation.

Of style and sensuousness: A Ten Minutes Interview with Navkirat Sodhi

A picture of punk rock elegance, she takes her seat amongst the poets with an unassuming nature and a simple smile on her face. But once she picks up her poetry and breathes life into them, both Navkirat Sodhi and her words thrill you with their secretive allure and surprising depth. Having published two collections of poetry, Ms. Sodhi brings her sarcastic wit and seductive allusions all the way from Delhi.

Having studied English literature and journalism, she was well on her way to becoming a broadcast journalist and even worked with BBC; but a gnawing feeling prompted her to quit her job and take up writing. A sabbatical of a few months created a deep hollow in herself which could only be filled with words that she had refrained from writing all those years. It was not a conscious choice to become a writer or write poetry she says but rather a natural result of the ebb of words within her. Before her move to Delhi, she scribbled the words in her head, and poetry was born.

“Every moment up till then built up to it. Every moment lived, everything experienced”. She was very conscious of not mass producing poetry, grand in quantity but insipid in quality and chose instead to streamline those stark lines that sting and sear as she recites them. Her work is not free from influence but it is free from imitation. She steps away from the people that inspire her and writes in a way that’s unique to her relationship with the language. Dostoevsky and Murakami impact her work but it is only in a subtle and psychological way.

Most of her poetry takes a very short form with most poems only a few lines long. Much like herself, her work does not speak profusely but it does so effectively. “Love was my full time job” she says and she is proud of how much she knows about the subject. Be it a romantic emotion or love towards a particular thing, it is easy to see how through the verses that she often slices short, the emotion lingers on, much like love itself. In her short poem, “Act III”, she talks about the lukewarm decline of a relationship and does so powerfully in less than 30 words. Invoking love, memory and the unlearning of emotion, the poem serves as a modern ode to descending love.

Apart from poetry, Ms. Sodhi also dabbles in art. A self-taught painter, she has been painting for a year and a half and hopes to present her paintings next year. Most of her artwork ties into her poetry and represents the abstract through figures instead of words. Fashion is also a huge part of her personality. She talks of how unlike most poets that walk around with the air of “the artist on the fringe” with their khadi clothes and “jhola pai”, she is very conscious of what she wears and how she presents herself. Thanks to her best friend Gaurav, a leading designer in the country, fashion and design have become an important part of her life. Navkirat Sodhi is not merely the words she bleeds on to the page but also the impression she creates as she walks into the room and it is quite clear, that both will linger on.

Thanks Prakriti Foundation for organizing such wonderful poetry festival in Chennai  .

Thanks Sandhya Kannan and Haris Manian for an amazing article.  All pictures are taken by our team member Hasan Mohammed

All images are copy right protected to Prakriti foundation and Madras Photo bloggers

Inaugural Function of the Poetry with Prakriti Festival – An Orchestra of the Living

When Perumal Murugan met TM Krishna on a fateful evening in 2016, he shared with him snippet of his poetry. Perumal Murugan is an Indian author, scholar and literary chronicler who writes novels in Tamil. He has written six novels, four collections of short stories and four anthologies of poetry to his credit. Winner of the prestigious Ramon Magsaysay Award, T.M. Krishna is a famed Carnatic vocalist based out of Chennai.
It was in the picturesque temple town that TM Krishna suggested that they collaborate. What this led to was one of the most enchanting musical performances the patrons witnessed.

Murugan hence started writing verses in the arrangement of keethanas. The evening unravelled to six keerthanas and three aalaps of Carnatic music. Seemingly simple verses were transformed into intricate sung forms. The first composition of the evening was titled “Sky”, which was aptly set in the raag “Poobalam” which means dawn, speaking of perhaps a new era in music where music would be inclusive of all of the society. TM Krishna believes that music evolves when diversified- diversified in subjects, thoughts, dialects and most vitally, the people. Carnatic music has been a privilege of the upper class for too long. This is also where TM Krishna’s and Perumal Murugan’s minds met. Perumal Murugan’s verses were interpreted into compositions that transcended the surreal to ultimately attain the “absolute real”, in all its glory.

The subsequent keerthanas were a tribute to the 3 out of five elements of nature, according to the Vedas- water, fire, air, earth, wind, and space. Perumal Murugan would recite the verses first and TM Krishna and his troupe gave tunes to the lines.

T.M Krishna evoked the elements of nature by giving life to Perumal Murugan’s keerthanas crafted on the Kongonadu dialect. The performance seemed to be an orchestra led by TM Krishna’s hands that seemed to paint a picture of the visual of every element.

The mesmerizing evening came to an end with an exquisite piece on love followed by the humble artistes meeting and greeting audience members.

Thanks to Prakriti Foundation for organizing such wonderful event.
The Poetry with Prakriti festival is happening from Dec 3rd – Dec 17th 2017.

Thanks Drishya Sobhana Narayanan for the wonderful write up. Thanks Charles Antony for the pictures.

MRF MMSC FMSCI Indian National Motorcycle Racing Championship 2017 – Round 3 (Aug 4, 2017)

  • Bikers revving up for another round of hot action
  • Keen battles in offing for top spots

Chennai, August 3: The battle lines will be drawn afresh this weekend when the third round of the MRF MMSC fmsci Indian National Motorcycle Racing Championship 2017 commences on Friday at the MMRT track in Sriperumbudur, near here with hectic jostling for leaderboard positions in all the categories.

As many as 19 races are scheduled to be run over three days after Thursday’s practice sessions besides the second round of the MMSC fmsci Indian National Drag Racing Championship which will be held on Saturday (practice) and Sunday evening (final runs).

The spotlight will be yet again on the intense rivalry between Honda Ten10 Racing and TVS Racing riders in the showpiece Super Sport Indian (up to 165cc) class while the path-breaking National championship for girls (Stock, up to 165cc), an MMSC initiative and introduced this season, has thrown up its share of exciting competition with Bengaluru’s Aishwarya Pissay (40 points) of Apex Racing heading the leaderboard from Team Speed Up Racing riders Kalyani Potekar (36) from Madhya Pradesh and Chennai’s Ryhana Bee (35).

Likewise, the Stock (up to 165cc) class for Novice riders has proved to be a resounding success with 50-plus entries requiring two preliminary heats to decide the grid for the point-scoring final race.

In the other two categories of National championship, 21-year old Amarnath Menon (Gusto Racing) from Kozhikode has dominated the Super Sport Indian 300-400cc class winning all four races so far while Mithun Kumar of Honda Ten10 Racing is comfortably perched at the top in the Pro-Stock (up to 165cc) following three wins in four outings.

Country’s top two-wheeler manufacturers Honda and TVS have also weighed in with their highly competitive One-Make Championship in the Open and Novice categories besides support races exclusively for girls who are thus guaranteed plenty of track time over the weekend.

In the two rounds of the National Championship thus far, 18-year old Rajiv Sethu (Honda Ten10 Racing) from Chennai has caused a big buzz with his dominating performances marked by three wins which put him ahead in the Super Sport Indian (up to 165cc) class with 75 points, just ahead of team-mate Mathana Kumar (66), and will be looking to consolidate his position.

Defending champion Jagan Kumar (TVS Racing) has not had the best of starts this season with just one win and 37 points to show for his efforts to be placed fifth behind team-mates KY Ahamed (45) and Harry Sylvester (39).

Courtesy: AP Media Communications

Photo Credits: Srinivasa Krishnan

The Festivals of Madras | Photo Series

Alike the national festivals – Independance day and republic day and religious festivals – Diwali, Holi, Navaratri Eid, Muhurram and Christmas etc ,.A large number of festivals and Fairs are celebrated in madras throughout the year.Also, Chennaities celebrate local festivals like Panguni Urstavam, Ther , Thai Pongal, Music and Dance Festival with great fervor in Chennai city. Below photos represent the various scenes of local festials and backstages. Thank you participants for submitting amazing photos for the festival theme.

Credits : Raghav Prasanna

Credits : Deepak Sundar

Credits :  Kirbaa Karan

Credits :  Lakshmi Ramanan

Credits :  Mukhil

Credits :  Prabhakar Ramakrishnan

Credits :  Ramesh Raja

 

Credits :  Sanath Kumar

Credits :  Shamini Shammu

Credits : Siva Prasad

Credits : Siva Prasad

Creative White Balance And Seascape Photography experiential Workshop

White Balance :

White Balance is an aspect of photography that many digital camera owners don’t understand or use – but it’s something well worth learning about as it can have a real impact upon the shots you take.Every digital camera has a White Balance or Automatic White Balance (AWB) setting in the camera menu. But how many of us actually use it or even know what it is for? This workshop gives clear picture of White balance and It won't be theoretical class instead Mentor will help you to experiment in various levels. It gives vast experience and one could implement in various scenarios.

Seascape photography is a very interesting genre of photography. Its not only about the typical postcard image of the beach, the blue sky and the palm trees but there are a lot more to it. Today it is considered to be a separate genre of photography and no more a subset of landscape photography. Your knowledge of the tide timings, weather conditions, the location, the lighting conditions, intelligent usage of shutter speed, aperture and ISO can offer you flexibility to imagine out of the box and implement them in your frame once you are clear with the concepts. If your camera allows you to choose different shutter speeds, aperture and ISO, then you are in for this workshop. This is unique and results are magical. In this workshop, mentor will demonstrate the various creative ways how you can use your camera's settings to create some amazing seascape images. One compulsory requirement for seascape photography is a sturdy tripod. Combination of right white balance and proper settings will help to understand the deep perspective of image.

ND FILTERS :

ND or Neutral Density Filters, they certainly have their uses, but what exactly are they and how can you decide which is the correct one for you. Mentor will help you to guide to choose the right one for the right situation.

WHAT IS AN EXPERIENTIAL WORKSHOP?

An experiential workshop is a unique concept, where you walk in, get guided, try your hands on 'do it yourself' practical exercises and then, walk away with some amazing images. During an experiential workshop, our experts hand hold you on your camera settings and create an environment for you to get that perfect shot.

MENTOR

Srivatsan Sankaran hailing from Chennai is an Engineer by education, but a die hard Photographer by passion. He has been pursuing his passion seriously for the past 7 years. His primary objective of photography is to bring out a sense of union with Mother Nature and a sense of singularity with people. Exploring and experiencing the new places to capture nature, small creatures, people’s life style, culture and tradition in the sincere way gives him immense happiness. He has won ‘Shoot the Frame' award in 2012, he was one of the ‘Top 10 Tamron winner’ in 2013 and his work has been published in more than 20 magazines including Nat Geo Traveller.

Cab will be arranged to pick the participants at Thiruvanmiyur Signal and will drop the same after the workshop .

SCHEDULED DATE, TIME AND VENUE

30th JULY 2017 (Sunday)
Time – 4:30 am - 8:30 am (Early morning)
Venue - Kovalam Beach, Chennai
Meeting point - Kovalam Beach, Chennai
Cab Picking point: Thiruvanmiyur Signal
Meeting time - 3:30 am

PACKAGE COST
Rs 700 per head inclusive of all taxes.

GETTING READY FOR THE WORKSHOP

Carry your DSLR
Carry wide angle lens
Carry ND filter if available
Carry a camera protection cover
Please do carry a sturdy Tripod, for good sharp pictures in low light conditions.
A thin plastic cover to protect the tripod from beach sand could be a good idea
Carry camera remote, filters if you have

REGISTRATION AND PAYMENT

Please click on the 'Register for Workshop' tab on the top / bottom right corner of this page to register yourself. Once you fill in your details and click submit, you will be redirected to the online payment page. Your registration is completed and confirmed only after a successful payment process. In case of any difficulty, please connect with us - [email protected]

GRANDEUR OF PARTHASARATHY THEER (CAR) FESTIVAL BY LAKSHMI RAMANAN

Madras Photo Bloggers is featuring  *Story Inspired by the Theer festival* article  by   Lakshmi Ramanan

◊ – words with the mark are explained below the images

Idly◊ was whistling away in the kitchen. The aroma of sambhar◊ wafted throughout the house. Filter kaapi◊ was the befitting beverage for that morning. Big golden silk borders adorned the mamas◊ and mamis◊ of the house alike, simplicity was reserved for another day. Tiny tots who were adorned with Srichoornam◊ ran in as time tickers, giving constant updates. All cousins had gathered under their grandfather’s house, it was ‘thaerottam’ or the car festival which was taking place in Triplicane◊ Parthasarathy temple.

“Keshavaa!”voice called out “Come here”

“Keshav Chittappaa◊! Thata◊ is calling you!” the little messenger screamed at the top of his voice as he rushed across the house

“Thata?” A deep voice responded briskly “Tell me”

“Keshu. Can we leave?” He said pulling his walking stick

“Thata! You have tied the panchakacham◊ very well” he said, “you are as always splendid young man” reaching his hand out to the Septuagenarian. He was someone whom you just have to respect, he commanded that out of people.  His grandfather was beaming with pride as the entire family of the old couple, his four sons and four daughters and the next two generations made their way through the crowd.

They went all the way near the thaer, and prostrated in front of the Lord. It was grandeur all around, The decoration around the Thaer was a league apart. The pagoda like top had cloth draped with srichoornam. Dwarakabalaka◊, Yali◊, and horses surrounded the Lord, while few men also made their way up. Among them were the pandits,◊ nadaswaram◊ and mirdamgam◊ players, playing exclusively to entertain the Lord. The lower half had many idols of the Lord was intricately carved in. The entire structure was supported by large wheels, taller than an average standing man. Streets had a festive look, they were washed clean, with large kolams◊ decorating every inch of tar road. It was a sight to behold. Keshav however looked around nonchalantly.

The procession started with the hymns being recited by the panchakacham clad pandits. Everyone prostrated before them marking their respects. Following them were fleets of photographers weaving in and out of the crowd. The finally chains of people aligned themselves clinging on to the chains dragging the thear. Behind the scenes was always something that was missed. A rod will give a tug to push the Thaer, three men will climb upon one wheel and pressure them to propel the thaer forward. It was undeniably focused team effort. To conclude it all would be a yet group of pandits who recited the vedas.

Keshav stared at the whole scene, his face was expressionless. “Grandeur – but why? Did the God ask for all this? If he is prevalent in everything, this is all meaningless. There is no peace in doing these, they distract us from praying” His troubled mind was never put to a rest. These thoughts kept coming back to him throughout the procession.

***

As the night fell over the tired streets, grandfather’s mind was fixating on Keshav and his disturbed . He went over to engage him in a conversation. “Does Perumal need this grandeur? He has everything doesn’t he? Same case at Tirumala◊. Did the Lord ask for these?” Keshav spoke fast, unable to hold the questions with himself any longer.  Thata took a deep breathe, I’m happy that you are asking the right questions. Thoughtful indeed. Kesu, these do not concern the Lord the least is the fact.”

Keshav opened his mouth, his grandfather held up his hand to silence him and continued

“With that said, why do we have these elaborate ceremonies? These ceremonies help us tune the mind, in fact so much of sastram◊ is to tune the mind. Why do we need to tune the mind should be your next question. Mind gives yo u ultimate control over the self, a great man is one who mastered the mind. To get there we can choose from the nine forms of devotion, Do know them?”

“Oh yes Thata! Listening, chanting, singing, archana◊, prayer, then like deva dasis◊, thinking Lord to be a friend, serving his feet and finally self-surrender. I remember them, but how do these help?”

“Devotion compels you to involve yourself. The drums, the beats, the agarbathhis◊, the abhisheka◊, the alankara◊, the slokas◊, the ithiasas, the puranas are the varied triggers for the different minds. Once they involve themselves into devotion it helps to spread positivity. Stay with me, “he paused , “The arrangement today, Hymns were sung even before the procession would start, leading the crowd through and through. While they dragged the car, they were shouting Govinda◊ Govinda and finally, vedas◊ were recited by a another group of pandits. These calm the atmosphere, spreading the positive vibe. That vibe can be felt when you visit a temple, when you stand in the pooja room, that calming vibe is set afloat. It is harnessing that positivity. Positive affirmation, harnessing that cosmic energy, and to be there one must be satisfied. Their wounds should have healed and they must believe in a greater source of power to keep them grounded.

As for grandeur – Rest assured God never asked for this sort of celebrations, we human would have would have come up with it to break the monotony of life, thus taking care of battling the stress factor. Then to admire the work of artists, what more does the artist want than appreciation and respect. Carpenters, Kolam artists, Painters, Dancers, Musicians, Bhajan Goshtis◊, cooks, the list is endless. This makes people happy, accepted and respected in that society. Society becomes a well-rounded one, people with diverse occupations well rewarded.”

Singing Hymns – A form of Devotion

A Classic Iyyangar style kolam and the view of the forerunners of the procession

A Classic Iyyangar style kolam and the view of the forerunners of the procession

Among the wave of pandits

Intricate carvings on the ratha / Car

Idly it is a south indian breakfast prepared from soaked rice and later steamed

Sambhar is side dish for Idly and other breakfast items; it is tamrind dal gravy with vegetables

Filter Kaapi – Coffee brewed with water forced through grounded beans; favourite beverage of many in Tamilnadu

Mama – A respectable way of calling male, usually who is older than oneself in TamBrahm household

Mami – A respectable way of calling female, usually who is older than oneself in TamBrahm household

Srichoornam – The three lines appearing on the forehead of Shri Maha Vishnu devotees

Triplicane – A locality in Chennai which has the ancient Temple dedicated to Shri Maha Vishnu

Chittappa – Tamil way of addressing Father’s brother or Mother’s sister’s Husband

Thata – Tamil way of addressing one’s Grandfather

Panchakacham – Dothi wrapping style which is usually around 8 meters long

Dwarabalaka – guards who guard the doorway to God

Yali is a mythical animal with a body of a lion but with a trunk of elephant

Pandits are those who are knowledgeable

Nadaswaram is an wind instrument with a long tube like structure with a wide flat base opening

Mirudhangam is a percussion instrument

Kolams are decorations that is drawn in front of the house to decorate entrance. It is geometically complex and is drawn with rice powder

Tirumala – Famous temple at Tirupathi

Sastram – The ideal way of life stipulated by ancient people

Agarbathis – Incense stick

Abhisheka is process of bathing the idol at temple

Alankara means dressing up and in this case refers to dressing up of the deity at the temple

Sloka is prayer

Itihasas are stories as told by forefathers of Hindu religion

Puranas are ancient stories, refers to epics which is Ramayana and Mahabharatha

Govinda – Another name for Lord Maha Vishnu

Veda is the holy scriputures of Hindus

Bhajan Ghostis are those people who sign songs about the Lord

Thanks Lakshmi Ramanan for the wonderful story and pictures. All images and content are copy right protected.

The Vibes On The Beach – Chennai , Tamilnadu

The beach is not only known as a place to relax ,but as a place for the artists. Many of times you see artist portraying the beach with their paintings, photographs or by singing about its magnificence and its splendor. No matter how descriptive nor how detailed the picture is though it can never capture the beauty that the beach really holds. Below curated photographs represent the different moods of the chennai beach in different seasons . Thank you Participants for the wonderful response

Photo Credits : Saravanan Ekambaram

Photo Credits : saravanan krishnamoorthy

Photo Credits : Lakshmi Raman

Photo Credits : Bharath Kumar

Photo Credits : Ramesh Raja

Photo Credits : Mustansir M Lokhandwala

Photo Credits : Siva Prasad

Photo Credits : Deepak Sundar

Photo Credits : Prasanna Rangarajan

Photo Credits : Viknesh Vicky

Photo Credits : Siva Prasad

Photo Credits : Saravanan Ekambaram

Photo Credits : Augustin Samraj

Monthly Meet up – May 2017

The first monthly meet-up of the madras photo bloggers was conducted on the breezy evening of Sunday at Besant Nagar, Chennai.

Bloggers and photographers joined along with the members of Madras photo Bloggers to talk about the various objectives and its importance.

The participants were also informed on the advantages of volunteering for Madras Photo blogging. This was followed by a brainstorming session where the methods for the development of a blog was discussed.

  • Importance of photo Blogging.
  • Roles & Responsibilities.
  • Future Events
  • Core Team Expansion

It was a short 1 hour meet-up, which was extremely useful.We member of MPB look forward to more

of this meets with more and more topics to discuss on!⁠⁠⁠⁠

Chennai Metro Rail Limited Underground Line – Inaugural day

After what seemed like forever, the wish and dream of the Chennai people was fulfilled. It happened on a fine morning of the 29th of june, 2015. The formula for the easy transportation of Chennai people was at last found; the metro was launched. It proved itself worthy of the delay in its launch.  The operation length of the Chennai metro is a distance of 54.1km extending from Nehru part to thirumangalam underground and it elevates to join the airport route from koyambedu.

There are so many specialties in this mode of transport including the tickets which give the only option of smart cards and no tokens. Its very attractive to see the underground doors open only when the train comes. The metro sure is a victim of the modern technology.  The importance this city gives to woman never goes down and this is signified in the specially marked coaches in pink color in every platform.

An article by Jayaroshini and Photographs by Smita Joshi.