Tag Archives: event

The Real Essence of Kolam contest, Myalpore Festival 2018

All great cities have a soul. Mylapore can rightfully claim to be the soul of Chennai city here in south India. It pre-dates Chennai’s birth in the 17th cent. And has seen the city grow as it has, its own. Mylapore retains the look and feel of an old neighborhood, the culture and heritage typically south Indian, yet it has not escaped development. This place that is proud of its arts, culture and tradition and people is just the setting for a cultural festival. A festival held in its very heart and around a great temple. Held every year in early January. It was a grand show in 2018 and the traditional pulli kolam contest was held as a part of festival.Around 100 women and men fought it out on a four-ft-by-four-ft space for 15 prizes in the 45-minute contest on the east end of North Mada Street.  Neetesh Kumar has captured the beautiful scenes of kolam contest during the Mylapore festival and his story telling images depict  not only the real essence of old traditional pulli Kolam but also his beautiful composition.

 

Thanks Neetesh Kumar for the wonderful pictures and all images are copy right protected.

Quick Bite with Priya Sarukkai Chabria

Priya Sarukkai Chabria is a poet, writer and translator with five published books. Awarded by the Indian Government for her Outstanding Contribution to Literature her works’ translated into six languages & is published in The British Journal of Literary Translation , Drunken Boat, Pratilipi, Language for a New Century, The Literary Review, IQ, Another English: Anglophone Poems from Around the World among others. Forthcoming in 2015 are translations of Tamil mystic poet Aandaal with Ravi Shankar (Zubaan) and a short story collection (Niyogi Book).

   1.Can you say something about what made you write your first poem??

Sweltering Madras afternoons! When I was about 7 years old, I lived with my grandparents in Mylapore. Afternoons, the adults would doze and I had free run of the garden. This is my special place. It was overgrown and immensely peaceful. There was sanctity in that silence. I’ve tried to reach that secret, welcoming place every since, through words. Perhaps this was the initial spark.

  ​2. What does poetry mean to you? What do you feel when writing poetry?

​I’ve been told my way of looking at the world is poetic​ — whatever that quite means. Perhaps an intensity of gaze and hearing? Seeking resonance? Reflective? Questing beauty, the everyday sacred…

  1. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

​Doesn’t everyone become ​a poet when they fall in love? Why don’t they remain in love with life i.e. poetry?  The world will be a better place for it.

  1. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

​I write poetry whenever — on flights, before snoozing​g, I think of polishing the poem I’m working on in my sleep….  ​Poetry is a part of me. Sometimes though ​it doesn’t come easy. Sometimes pain or shock numbs me so much that I can’t write.  After my Amma passed on I couldn’t write for over six months.  At times I feared I’d never write again. Then a poem appeared, then another — trickle to flow to flood. Elegies for my mother. I’m grateful.

  1. What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

​Why not? If it’s aesthetic enough it’s fine by me.  ​Geniuses aren’t ​the preserve of ​long or classical forms. But geniuses are rare.

  1. Where do you want to take your work in d future in terms of poetry?

T​he poetry will lead, I will follow. It’s like a poetic experience.

Thanks Prakriti foundation for the wonderful event.

Thanks Haris and smita for the amazing pictures!

 

Quick Bite with Saima Afreen

Calcutta is where she grew up. To breathe she churns poems; to earn a living she works as a journalist. Her poems have been featured in The McNeese Review, The Notre Dame Review, The Nassau Review, The Asian Age, The Telegraph, The Times of India, and many other publications. Her poems have been part of several anthologies. She was invited as a poet delegate to Goa Arts and Literature Festival, 2016, Guntur Poetry Festival, TEDx VJINET, Writers Carnival, Aliah University and several other poetry platforms. She is currently working on the manuscript of her first poetry book.

  1. Can you say something about what made you write your first poem?

I was 14 when began writing poems. All I can reminisce is, one day I was feeling really restless; there was an unnamed angst which boiled inside me and wanted to erupt, get scattered. I picked up my pen, opened my notebook and wrote a poem in iambic pentameter about a crushed rose, its mingling with dust; edited it and then sent the work to The Asian Age newspaper, which had a column for students who wrote poetry. I then knew that something has changed inside me which demands to be spilled on the paper tearing a sliver of my soul.

  1. What does poetry mean to you? What do you feel when writing poetry?

Poetry is an attempt to capture the zone that flickers briefly between the fields of light and darkness. In that short a duration a poet picks up what his eye catches, his mind registers and his cells record which may not be longer than the period when the fork between two leaves holds a raindrop only to let it fall the very next moment. This speck of time is distilled, crafted, resuscitated and then blown into life while it still remains a shadow of its own shadow. It holds the hand of the reader to make him part of this magical realm.

A sort of trance possesses me while I write poetry, the feeling is indescribable.

  1. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out of its confined literary circle?

Poetry is wind, it’s always there. If you close the window and complain it’s sultry, you deny the breeze an invitation. Poetry is not rocket science, everyone can understand it and explore the journey the poet took to write the words. Can we see music? Why does an orchestra piece appeal to us? There’s something which connects with one’s being and makes one listen to it even when you don’t comprehend its nuances and the grammar involved.

Poetry isn’t confined in literary circles. If that were the case then mystic poet Rumi wouldn’t be embraced by so many people in today’s world. That’s how the other day at The Brew Room during the ongoing poetry session so many people turned up that there was hardly any space to stand, and trust me not all of them were students/aficionados of literature. Poetry festivals and reputed journals bring readers and poets together in a much faster way than before.

  1. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

No. There is no specific day or mood for me to write. Poetry comes on its own, uninvited, unannounced. It doesn’t even knock, it just stares at the pen and seeps onto the paper without me realising what’s happening. The images, of course, are already there in the subconscious lending voice to the words, colour to the depiction. Often, while I draft my journalistic reports, poems find their way onto the page. It so happened that one day while I was mentioning Russian ballerinas in one of my articles, a poem seized me till I wrote it. I titled it ‘A Song for the Twisted Feet of a Russian Ballerina’ published in an issue of The McNeese Review.

  1. What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

Depends who’s writing what. Your question has the answer. We often see oh-that-poor-brown-girl-troubled-by-misogyny-racism kind of poems bringing myriads of likes on Insta pages. Does it have the beauty of craft? Is it different from the usual attention-grabbing cacophony? Not often. Sample the beauty in these lines from Nayyirah Waheed:

           can we speak in flowers

           it will be easier for me to understand.

                       — other language

At the same time, not all, in the ‘new wave of Insta poetry’, are capable of tenderness and mastery of words. It’s a trend with ‘#MeToo’ kind of poems, if at all they meet the condition of being called poems.

  1. Where do you want to take your work in the future in terms of poetry?

Poetry is epiphany. You are in constant motion where the topography changes with every step. You can harvest both fire and water without knowing which one will seep in your words. It’s a forest which moves, and with it you move. You can’t see anything while you are within it.

Thanks Prakriti foundation for the wonderful event.

Thanks Haris, Kirbaa Karan for the wonderful images!

Quick Bite with Ajinkya

Currently residing in Delhi, but born and brought up in Bombay, Ajinkya is co-founder of Wildfire, a tech/digital startup that creates core technologies for original content creators. He is a student and practitioner of dhrupad music, and is deeply interested in arts education. As an independent researcher (and IFA Grantee), he wrote a book (in publishing) on Learning with the Dagars. He finds solace in poetry; and is figuring out a way to balance his writing, music, and his work as an entrepreneur, and consultant. His work has been published in Gallerie. He is currently compiling his poems to publish his first anthology.

1.Can you say something about what made you write your first poem??

I think I wrote the first poem I wrote (that I can remember and still exists somewhere) for a  girl. In school. Possibly, the most filmy, and unintuitive thing to do at the time .

2.What does poetry mean to you? What do you feel when writing poetry?

For me writing is speaking. There is no  real, true communication. I see our multiplicitous, diverse life journeys as an attempt to fill the hole of the absurd and the incomprehensible with narrative and meaning. We strive to make others see as we see, feel as we feel, know as we know.

Only in the arts – in poetry, music, performance arts among others – do I feel that without explanation, without acknowledgement, without trying even, sometimes, an impulsive, almost natural connection is established. For me, poetry is a winding bridge that connects people. I like to learn people, learn spaces, learn what it means to feel and say the same things as those who walked this world thousands of years ago. I’m interested in our sameness and in our difference. Those who didn’t suffer the scourge of memory. Poetry and music – the arts and crafts – become the classroom, where we can all sit together – as naked as the first light of dawn

3.Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

Goethe said that one should “hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.”

This is, of course, spoken with the assumption of privilege of many kinds. As artists and enthusiasts, we have to question this privilege, and resist it’s oppressive and elitist gaze. This year Prakriti had a lovely selection of artists – an Ishvar Krishnan whose voice resonates with the labourer on the street to other well established poets whose truths are universal, poetry sublime.

The endeavour is always to find alternative spaces, create, as Hakim Bey would call it “art sabotage” or “poetic terrorism”. The purpose of poetry is to speak truth. Limiting it to elite spaces would only be counter productive. This becomes especially significant in the current political climate, where voices of dissent and resistance are being violently silenced. In such a situation then, poetry should become prophecy.

In street corners, public squares, classrooms, train stations, bus stops, the voices of artists must echo.

4.When do you write poetry? Is there a specific time in a day? What makes you write a poem?

I write when something builds up inside and overwhelms me in a deeply visceral way. So much so that I have to put pen to paper, or fingertip to smartscreen, or keyboard, otherwise it will kill me! The incompleteness, almost as if a peg is not fitting into a hole hurts – sometimes a word is meant to be in that exact place in the scheme of things, a note is destined to curve in a certain way. The urge of the artist becomes an obsessive one – to set things right almost

5.What do you think of this new wave of insta poetry of today? Would you treat it as poetry too?

Haha, I know where you’re going with this question. It’s a trap!

Yaar, each to her own. The frames of reference are changing. Popular opinion decides the fate of art. Social media has changed the meaning of popular opinion to loudest rant or most simplistic accusation. This is easy, but it’s not always wrong. But who are we to decide, what is and what isn’t poetry. Today even machines are writing poetry (😂) There are all kinds of art, but I relate to the kind that touches me. that takes the craft forward. I cannot expect everyone to relate in the same way.

In the end the time will decide, of course what remains, and what survives

6.Where do you want to take your work in d future in terms of poetry?

I want to explore the forms more. Create more equitable spaces where my work takes on a life of its own. I want to collaborate with other artists across the spectrum and create narratives that mean different things to different communities in society. Poetry spreads in tandem with music, visual art and theatre. I see these as different threads that form a beautiful pattern in the same patchwork tapestry. I want to stitch my work to this endeavour.

Thanks Prakriti Foundation for the wonderful event.

Thanks Smita Anand for the wonderful pictures!

All images are copy right protected to Madras Photo Bloggers and Prakriti foundation

Quick Bite with Parvathi Nayar

Parvathi Nayar is a writer, poet and contemporary visual artist based in Chennai. Parvathi Nayar plays an active role – and is deeply committed to supporting – the emerging renaissance of the contemporary in Chennai. Parvathi is best known for her videos and her complex drawing practices; she also engages with text, sculpture, painting and photography. Her works have been collected by institutions such as the Singapore Art Museum, BMW, HCL, The Sotheby’s Art Institute, The Australia India Institute and Deutsche Bank.

   1. Can you say something about what made you write your first poem??

I can’t honestly remember when I wrote my first poem, but I always did scribble bits and pieces. I so enjoy the process of writing – and rewriting!

  1. What does poetry mean to you? What do you feel when writing poetry?

For me poetry offers a form that is at once succinct and yet intense and vivid  – it is a way to talk about the things that I am thinking about or experiencing.

  1. Do you think poetry speaks to all kinds of people in all walks of life? How do you think we can take poetry out its confined literary circle?

I wish it could have an audience outside a literary circle, just as I wish art could have a way of speaking to a larger group of people – as this is the stuff that speaks of the human condition.

  1. When do you write poetry? Is there a specific time in a day? What makes you write a poem?

It can take place at different times of day – its whenever I can carve out the actual time and head space for it! I’m inspired by all kinds of things to write poems – but sometimes it is an exploration for me to actually “understand” something gnawing at me, if you know what I mean. In this regard one of the poems I read out at the session stands out –  an exact from Black And White, which was written as a way of conceptualizing a solo show of mine – Drawing is a Verb at the Arts House, Singapore. It stands out as a memory from the past as a device that had a specific resonance to understanding the spatial aspect in my art. Since then a lot of the verse has had relationships with the art.

Songs of the Heart – A celebration of love, poetry and music

What happens when two cultures meet?

Some would paint a picture of conflict. But poets and musicians would beg to differ.

To them, the coming together of two cultures is a chance for dialogue, a chance to explore, experiment and reinvent. It’s a chance to create something beautiful to enchant hearts on both sides. And what better way to do that than by exploring each culture’s take on love?

Performing at the Alliance Française of Madras, AKADÊMIA – a renowned French music ensemble – teamed up with Indian artists to perform ‘Songs of the Heart’: a celebration of love through a dialogue between western Renaissance music and the works of Indian classical poets.

Beginning with a joyful choral musical piece, the evening came alive to a series of musical pieces accompanied by classical Indian poems on love.

A dialogue in truth, the performance treated the audience to a conversation between renaissance music as performed by the ensemble and the poems narrated. Throughout this dialogue, each side ‘spoke’ in turn – the musicians through their music, and the narrators through the words of the poems they recited.

Reciting a Yaksha’s loving, longing-filled description of his lover in Kalidasa’s Meghadhuta, Meera Bai’s words in devotion to her Lord Krishna, and other works and passages on longing and desire, the narrators offered the audience a glimpse into various aspects of love. A glimpse that was expanded upon by the musicians, who, under the graceful guidance of Françoise Lasserre, put into melody what words alone could not express.

What set ‘Songs of the Heart’ apart from any other musical performance or poetry reading was not the music or the poems alone. It was the way in which the poems and the musical pieces complemented each other. As the subject of each poem changed, so did the tone of the music, to either match the words and sentiments of the poem, or play a counterpoint to them.

Together, the music and poetry took the audience on a journey from the initial spark of desire and joy to the bittersweet moments of longing, and the deep sorrow of loss. A journey that culminated in poetic commentary on the fleeting nature of life, and the futility and foolishness of clinging to past sorrows. With verses urging the protagonists to let go of their sadness, the performers concluded this journey at the inevitable, final moment of letting go and moving on. A moment of rediscovery of joy, that powered the penultimate musical piece of the night.

After an hour and a half of musical dialogue, this enchanting evening came to an end with a soft musical piece by AKADÊMIA. A fitting, musical end to a magical performance and the tenth edition of Poetry with Prakriti Festival .

Thanks Prakriti foundation for organizing such amazing event.

Thanks to Akash Kapur for the wonderful write up. Thanks to Gopinath & Haris Manian for the Pictures.

All images are copy right protected to Madras Photo Bloggers and Prakriti Foundations.

The Pen’s Allurement – Poorna Swami

The crowd gathered was already traveling in a world of magical dream and Once Poorna Swami began her recital, the transformation of thoughts unveiled the senses. Clad in a white Saree, peaceful as a dove with a charismatic smile Ms Poorna had the ability to indulge every listener and guide them deep into the jungles of solitude.

Born in Bangalore Ms Poorna started writing poems from the age of six. During her childhood days poems were a collection of words that came to her mind framed to stanzas. Being a quite child, she developed a love towards the language by reading a lot of books and this paved the way to be a poet and express her interest in the language. Graduating from Mount Holyoke College she did a research study on African Studies Review focussing on Transnational Literature.

In her recent series of five Poems, “Poems in Saffron Ink” Ms Poorna condemned the current political situation in India and gave life to slain victims through her words. “The hymn of sword and gunfire” – Scintillating and yet a verse with melancholy, Ms Poorna combines the cold and calm entities to emote the characters of her poem.

“One doesn’t have to be a professional in literature to write poems”. she says, crediting to various malayalam poetry in social media which are being written by everyone with the knowledge in language and no exposure in the advanced literary world. Ms Poorna’s poems have a strong story behind and there is a lot of research behind every composition. Most of her works have a political touch voicing out the struggles and anguish of a common man. General Elections India. 2014, Prayer for Dadri 2015 and Assimilation are few of her poems that had the spark to revolutionize. Among her works she refers to Etymology as her favourite. A love poem written without punctuations it relieved her from the heart when written, says Poorna. Being an avid reader right from childhood Ms Poorna’s all-time favourite is Jack Gilbert’s “The Forgotten Dialect of the Heart”.

Apart from Poetry, Ms Poorna has also been dancing from the age of six. Also Graduated in Dance from Mount Holyoke College, she feels that dance helps to express what poetry cannot. Over the last few years she has been dancing for her own poetry and also performing for theatre events across the world.

Thanks Pakriti foundation for organizing such beautiful event in Chennai

Thanks Sai Karthik for the wonderful article.  All images are taken Kirbaa Karan and Haris Manian.

All images are copy right protected to Madras Photo Bloggers and Prakriti Foundation.

MRF MMSC FMSCI Indian National Motorcycle Racing Championship 2017 – Round 3 (Aug 4, 2017)

  • Bikers revving up for another round of hot action
  • Keen battles in offing for top spots

Chennai, August 3: The battle lines will be drawn afresh this weekend when the third round of the MRF MMSC fmsci Indian National Motorcycle Racing Championship 2017 commences on Friday at the MMRT track in Sriperumbudur, near here with hectic jostling for leaderboard positions in all the categories.

As many as 19 races are scheduled to be run over three days after Thursday’s practice sessions besides the second round of the MMSC fmsci Indian National Drag Racing Championship which will be held on Saturday (practice) and Sunday evening (final runs).

The spotlight will be yet again on the intense rivalry between Honda Ten10 Racing and TVS Racing riders in the showpiece Super Sport Indian (up to 165cc) class while the path-breaking National championship for girls (Stock, up to 165cc), an MMSC initiative and introduced this season, has thrown up its share of exciting competition with Bengaluru’s Aishwarya Pissay (40 points) of Apex Racing heading the leaderboard from Team Speed Up Racing riders Kalyani Potekar (36) from Madhya Pradesh and Chennai’s Ryhana Bee (35).

Likewise, the Stock (up to 165cc) class for Novice riders has proved to be a resounding success with 50-plus entries requiring two preliminary heats to decide the grid for the point-scoring final race.

In the other two categories of National championship, 21-year old Amarnath Menon (Gusto Racing) from Kozhikode has dominated the Super Sport Indian 300-400cc class winning all four races so far while Mithun Kumar of Honda Ten10 Racing is comfortably perched at the top in the Pro-Stock (up to 165cc) following three wins in four outings.

Country’s top two-wheeler manufacturers Honda and TVS have also weighed in with their highly competitive One-Make Championship in the Open and Novice categories besides support races exclusively for girls who are thus guaranteed plenty of track time over the weekend.

In the two rounds of the National Championship thus far, 18-year old Rajiv Sethu (Honda Ten10 Racing) from Chennai has caused a big buzz with his dominating performances marked by three wins which put him ahead in the Super Sport Indian (up to 165cc) class with 75 points, just ahead of team-mate Mathana Kumar (66), and will be looking to consolidate his position.

Defending champion Jagan Kumar (TVS Racing) has not had the best of starts this season with just one win and 37 points to show for his efforts to be placed fifth behind team-mates KY Ahamed (45) and Harry Sylvester (39).

Courtesy: AP Media Communications

Photo Credits: Srinivasa Krishnan

GRANDEUR OF PARTHASARATHY THEER (CAR) FESTIVAL BY LAKSHMI RAMANAN

Madras Photo Bloggers is featuring  *Story Inspired by the Theer festival* article  by   Lakshmi Ramanan

◊ – words with the mark are explained below the images

Idly◊ was whistling away in the kitchen. The aroma of sambhar◊ wafted throughout the house. Filter kaapi◊ was the befitting beverage for that morning. Big golden silk borders adorned the mamas◊ and mamis◊ of the house alike, simplicity was reserved for another day. Tiny tots who were adorned with Srichoornam◊ ran in as time tickers, giving constant updates. All cousins had gathered under their grandfather’s house, it was ‘thaerottam’ or the car festival which was taking place in Triplicane◊ Parthasarathy temple.

“Keshavaa!”voice called out “Come here”

“Keshav Chittappaa◊! Thata◊ is calling you!” the little messenger screamed at the top of his voice as he rushed across the house

“Thata?” A deep voice responded briskly “Tell me”

“Keshu. Can we leave?” He said pulling his walking stick

“Thata! You have tied the panchakacham◊ very well” he said, “you are as always splendid young man” reaching his hand out to the Septuagenarian. He was someone whom you just have to respect, he commanded that out of people.  His grandfather was beaming with pride as the entire family of the old couple, his four sons and four daughters and the next two generations made their way through the crowd.

They went all the way near the thaer, and prostrated in front of the Lord. It was grandeur all around, The decoration around the Thaer was a league apart. The pagoda like top had cloth draped with srichoornam. Dwarakabalaka◊, Yali◊, and horses surrounded the Lord, while few men also made their way up. Among them were the pandits,◊ nadaswaram◊ and mirdamgam◊ players, playing exclusively to entertain the Lord. The lower half had many idols of the Lord was intricately carved in. The entire structure was supported by large wheels, taller than an average standing man. Streets had a festive look, they were washed clean, with large kolams◊ decorating every inch of tar road. It was a sight to behold. Keshav however looked around nonchalantly.

The procession started with the hymns being recited by the panchakacham clad pandits. Everyone prostrated before them marking their respects. Following them were fleets of photographers weaving in and out of the crowd. The finally chains of people aligned themselves clinging on to the chains dragging the thear. Behind the scenes was always something that was missed. A rod will give a tug to push the Thaer, three men will climb upon one wheel and pressure them to propel the thaer forward. It was undeniably focused team effort. To conclude it all would be a yet group of pandits who recited the vedas.

Keshav stared at the whole scene, his face was expressionless. “Grandeur – but why? Did the God ask for all this? If he is prevalent in everything, this is all meaningless. There is no peace in doing these, they distract us from praying” His troubled mind was never put to a rest. These thoughts kept coming back to him throughout the procession.

***

As the night fell over the tired streets, grandfather’s mind was fixating on Keshav and his disturbed . He went over to engage him in a conversation. “Does Perumal need this grandeur? He has everything doesn’t he? Same case at Tirumala◊. Did the Lord ask for these?” Keshav spoke fast, unable to hold the questions with himself any longer.  Thata took a deep breathe, I’m happy that you are asking the right questions. Thoughtful indeed. Kesu, these do not concern the Lord the least is the fact.”

Keshav opened his mouth, his grandfather held up his hand to silence him and continued

“With that said, why do we have these elaborate ceremonies? These ceremonies help us tune the mind, in fact so much of sastram◊ is to tune the mind. Why do we need to tune the mind should be your next question. Mind gives yo u ultimate control over the self, a great man is one who mastered the mind. To get there we can choose from the nine forms of devotion, Do know them?”

“Oh yes Thata! Listening, chanting, singing, archana◊, prayer, then like deva dasis◊, thinking Lord to be a friend, serving his feet and finally self-surrender. I remember them, but how do these help?”

“Devotion compels you to involve yourself. The drums, the beats, the agarbathhis◊, the abhisheka◊, the alankara◊, the slokas◊, the ithiasas, the puranas are the varied triggers for the different minds. Once they involve themselves into devotion it helps to spread positivity. Stay with me, “he paused , “The arrangement today, Hymns were sung even before the procession would start, leading the crowd through and through. While they dragged the car, they were shouting Govinda◊ Govinda and finally, vedas◊ were recited by a another group of pandits. These calm the atmosphere, spreading the positive vibe. That vibe can be felt when you visit a temple, when you stand in the pooja room, that calming vibe is set afloat. It is harnessing that positivity. Positive affirmation, harnessing that cosmic energy, and to be there one must be satisfied. Their wounds should have healed and they must believe in a greater source of power to keep them grounded.

As for grandeur – Rest assured God never asked for this sort of celebrations, we human would have would have come up with it to break the monotony of life, thus taking care of battling the stress factor. Then to admire the work of artists, what more does the artist want than appreciation and respect. Carpenters, Kolam artists, Painters, Dancers, Musicians, Bhajan Goshtis◊, cooks, the list is endless. This makes people happy, accepted and respected in that society. Society becomes a well-rounded one, people with diverse occupations well rewarded.”

Singing Hymns – A form of Devotion

A Classic Iyyangar style kolam and the view of the forerunners of the procession

A Classic Iyyangar style kolam and the view of the forerunners of the procession

Among the wave of pandits

Intricate carvings on the ratha / Car

Idly it is a south indian breakfast prepared from soaked rice and later steamed

Sambhar is side dish for Idly and other breakfast items; it is tamrind dal gravy with vegetables

Filter Kaapi – Coffee brewed with water forced through grounded beans; favourite beverage of many in Tamilnadu

Mama – A respectable way of calling male, usually who is older than oneself in TamBrahm household

Mami – A respectable way of calling female, usually who is older than oneself in TamBrahm household

Srichoornam – The three lines appearing on the forehead of Shri Maha Vishnu devotees

Triplicane – A locality in Chennai which has the ancient Temple dedicated to Shri Maha Vishnu

Chittappa – Tamil way of addressing Father’s brother or Mother’s sister’s Husband

Thata – Tamil way of addressing one’s Grandfather

Panchakacham – Dothi wrapping style which is usually around 8 meters long

Dwarabalaka – guards who guard the doorway to God

Yali is a mythical animal with a body of a lion but with a trunk of elephant

Pandits are those who are knowledgeable

Nadaswaram is an wind instrument with a long tube like structure with a wide flat base opening

Mirudhangam is a percussion instrument

Kolams are decorations that is drawn in front of the house to decorate entrance. It is geometically complex and is drawn with rice powder

Tirumala – Famous temple at Tirupathi

Sastram – The ideal way of life stipulated by ancient people

Agarbathis – Incense stick

Abhisheka is process of bathing the idol at temple

Alankara means dressing up and in this case refers to dressing up of the deity at the temple

Sloka is prayer

Itihasas are stories as told by forefathers of Hindu religion

Puranas are ancient stories, refers to epics which is Ramayana and Mahabharatha

Govinda – Another name for Lord Maha Vishnu

Veda is the holy scriputures of Hindus

Bhajan Ghostis are those people who sign songs about the Lord

Thanks Lakshmi Ramanan for the wonderful story and pictures. All images and content are copy right protected.

Traveler’s Meet at Urban Desi House

On a regular day of Chennai on the 6th of May, the first traveler’s meet of Madras photo bloggers was held in association with Kolkata bloggers , Urban Desi house and with the support of Zeiss and Manfroto

16 x9 traveller meet final 2

DSC_0648-2 DSC_0647-2 DSC_0640-2 DSC_0597-2 DSC_0587-2 DSC_0565-2 DSC_0260-2 DSC_0228-2 DSC_0209-2 DSC_0205-2 DSC_0202-2 DSC_0191-2 DSC_0183-2 DSC_0164-2 DSC_0162-2 DSC_0111-2 DSC_0105-2 DSC_0090-2 DSC_0074-2 In the compact and calm hall of urban desi house, about 40 + photographers and bloggers met to gain motivation and knowledge for their passion.

We held our breath and hoped high for this meet to be a success and today we heave a sigh and smile as our expectations were met in the best way possible.

The day’s highlight was its speakers.

Mr. Srinidhi Hande, an IT professional and blogger.

Mr. Anirban Saha, founder of kolkata bloggers.

Miss. Sai Priya, travel photographer and Mr.srivatsan sankaran, founder of Madras Photo bloggers and Beaumoments.

The day started with Mr. Srinidhi sharing his thoughts on economical travelling and also did he give tips on how one can always stick with passion and career at the same time.

The hall being filled with enthusiasts who want to pursue blogging and travelling sure did find this very interesting!

He advised on how to book tickets on low cost and how to always keep an eye on useful offers and also how to stay in the most economic places.

His session was followed by Mr. Anirban’s, the founder of Kolkata Bloggers . He sure did entertain the audience with his small jokes and kept the crowd alive throughout his session. He spoke on how one should explore all the different corners of India and come in contact with all the interesting celebrations of India which we aren’t aware of.

After this the stage was taken by Miss Sai Priya, better known as Castle mountains, she sure did give a rise in everyone’s heart race when she shared about her experiences as a travel photographer. She proved how big of a struggle is it for a woman to be a woman and walk out bravely. She is such an inspiration for women travellers And photographers

After this the last part of day was taken charge by Mr. srivatsan sankaran who gave useful tips on travel blogging and how to make and follow schedule. It was very interactive.
Everyone wanted to know the lenses he used after looking at his beautiful pictures.

The day was such a wrap.

Indeed it’s a blissful moment when things happen more than we expect it to. The workshop was beyond expectations.

We thank all those who were responsible for this workshop.

Huge thanks to Kolkata bloggers, Urban Desi house, zeiss and manfrotto for their support.

An article by Jaya Roshini and Photographs by Haris Manian.

Second Metro Rail Route Inauguration – Photo story

With all the hustle and bustle, the second metro line in the city was inaugurated on the morning of Wednesday by the honourbale chief minister J. Jayalalithaa. The route that connects Little Mount and Airport is 8.6 kilometres long encompassing Guindy, Alandur, Meenambakkam, Nanganallur Road and Chennai Airport. The first train was run by a lady loco pilot, similar to the inauguration of the first line.

This route will merge at the Alandur station in a different tier to the existing Koyambedu –Alandur route. Hence, people traveling from Koyambedu to Airport will have to change trains at Alandur, the process that is expected to be a hassle free one. With the fares ranging from Rs. 10 to Rs. 50, the spending would be much effective with more lines opening in the near future.

The inaugural day saw happy faces of the metro rail officials greeting the passengers who were doing a jolly ride on the first day and guiding them. All the stations were lit up and decorated and the brand new trains also vibrated festivity and positivity.

8-img_2455-edit

7-img_2453-edit

6-img_2447

3-img_2427-edit

5-img_2444

1-img_2392-edit

2-img_2409-edit
An article and photographs by Smita Joshi.