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MRF MMSC FMSCI Indian National Motorcycle Racing Championship 2017 – Round 3 (Aug 5, 2017)

  • Jagan Kumar leads 1-2 finish for TVS Racing
  • Aishwarya, Aravind score second win
  • Dinesh Kumar halts Amarnath Menon’s win-spree

Chennai, August 5: Defending champion Jagan Kumar of TVS Racing put in a command performance to score a crucial win in the third round of the MRF MMSC Fmsci Indian National Motorcycle Racing Championship at the MMRT track, here on Saturday and moved up two spots to third on the leaderboard.

A very relieved Jagan Kumar (62 points) though had to fight hard for only his second win of the season that put him behind the front-running Honda Ten10 riders leader Rajiv Sethu (90) who barely nursed his bike to third-place finish and Mathana Kumar (66) in the championship stakes after a race that was cut to a four-lap sprint following a red-flag stoppage due to an oil spill on the start-finish straight and was re-started.

Jagan, starting from pole position, slipped to third due to a poor start as Sethu and Mathana Kumar passed him on the very first lap. However, the red flag stoppage provided Jagan a second chance while Sethu’s bike bled speed and Mathana retired due to an electrical problem. It set Jagan free and he was followed home by team-mate Harry Sylvester and Sethu.

“I am very relieved that I won today, though I was not happy with my pace. In Friday’s practice, I did 1:57 (one minute, 57 seconds) lap and today, I was two second off that lap pace. I had some issues with the bike, but I think I will not tinker with it for tomorrow’s second race,” said Jagan.

Also scoring an impressive win was Bengaluru’s Aishwarya Pissay (Apex Racing) in the Girls (Stock up to 165cc) category to further consolidate her position at the top of the leaderboard with 65 points.

The race witnessed a bit of elbowing among riders at the front before Aishwarya overcame a poor start to clinch a dominating win to move to 65 points, ahead of Indore’s Kalyani Potekar (51) who was docked 10 seconds penalty for causing collision that took out Alisha Abdullah on the start straight and was placed third behind local girl Shruthi Nagarajan (Honda Ten10 Racing).

Aravind Balakrishnan, courtesy a fine victory in the Pro-Stock (up to 165cc) category, caught up with leader and his Honda Ten10 Racing team-mate Mithun Kumar who finished a distant fifth. Both are on 83 points with the second race of the round to be run on Sunday.

In the Super Sport Indian 300-400cc class, Kozhikode’s Amarnath Menon (Gusto Racing) saw his four-win streak ending in a cloud of dust as he crashed on the last lap during hot chase of Chennai’s Dinesh Kumar of the newly-formed Team Alisha Abdullah. Despite the non-finish, Menon is still comfortably placed at the top with 100 points, well clear of other contenders Deepak Ravikumar (51, Moto-Rev) and Vivek Pillai (75, Rockers Racing) who finished second and third respectively.

The results (Provisional):

Super Sport Indian  (Up to 165cc) 4 laps: 1. Jagan Kumar (TVS Racing) (08mins, 06.210secs); 2.Harry Sylvester (TVS Racing) (08:06.370); 3. Rajiv Sethu (Honda Ten10 Racing) (08:12.951).

Super Sport Indian (300-400cc) 6 laps: 1. Dinesh Kumar D (Team Alisha Abdullah) (11:48.208); 2. Deepak Ravikumar (Moto-Rev) (11:55.445); 3. Vivek Pillai (Rockers Racing) (12:08.044).

Pro-Stock (Up to 165cc) 4 laps: 1. Aravind Balakrishnan (Honda Ten10 Racing) (08:30.837); 2. Naresh Babu (RACR) (08:32.463); 3. Aravind Ganesh (Chennai) (08:39.352).

Girls – Stock up to 165cc (5 laps): 1. Aishwarya Pissay (Apex Racing Academy) (11:18.287); 2. Shruthi Nagarajan (Rockers Racing) (11:29.306); 3. Kalyani Potekar (Team Speed Up Racing) (11:37.258).

One-Make Championship – Honda CBR 150 (Novice) 5 laps: 1. Satyanarayana Raju (Hyderabad) (11:08.098); 2. Balaji G (Chennai) (11:22.842); 3. Senthil Kumar (Coimbatore) (11:23.098).

TVS Apache RTR200 (Open) 6 laps: 1. Kannan Karnan (Chennai) (13:16.480); 2. Sivanesan S (Chennai) (13:16.578); 3. Yuvaraj S (Chennai) (13:17.312). Novice (6 laps): 1. Romario J (Chennai) (13:23.636); 2. Anup Kumar M (Chennai) (13:23.803); 3. Shankar Guru J (Chennai) (13:30.885).

Support races (Girls) – Honda (5 laps): 1. Ryhana Bee A (Chennai) (11:26.214); 2. Kalyani Potekar (Indore) (11:41.677); 3. Shruthi Nagarajan (Chennai) (11:41.767).

TVS (3 laps): 1. Aishwarya Pissay (Bengaluru) (06:52.318); 2. Ann Jennifer (Chennai) (07:02.739); 3. Priyamvada Saradhi (Bengaluru) (07:15.431).

Courtesy: AP Media Communications

Photo Credits: Srinivasa Krishnan

The Festivals of Madras | Photo Series

Alike the national festivals – Independance day and republic day and religious festivals – Diwali, Holi, Navaratri Eid, Muhurram and Christmas etc ,.A large number of festivals and Fairs are celebrated in madras throughout the year.Also, Chennaities celebrate local festivals like Panguni Urstavam, Ther , Thai Pongal, Music and Dance Festival with great fervor in Chennai city. Below photos represent the various scenes of local festials and backstages. Thank you participants for submitting amazing photos for the festival theme.

Credits : Raghav Prasanna

Credits : Deepak Sundar

Credits :  Kirbaa Karan

Credits :  Lakshmi Ramanan

Credits :  Mukhil

Credits :  Prabhakar Ramakrishnan

Credits :  Ramesh Raja

 

Credits :  Sanath Kumar

Credits :  Shamini Shammu

Credits : Siva Prasad

Credits : Siva Prasad

The Vibes On The Beach – Chennai , Tamilnadu

The beach is not only known as a place to relax ,but as a place for the artists. Many of times you see artist portraying the beach with their paintings, photographs or by singing about its magnificence and its splendor. No matter how descriptive nor how detailed the picture is though it can never capture the beauty that the beach really holds. Below curated photographs represent the different moods of the chennai beach in different seasons . Thank you Participants for the wonderful response

Photo Credits : Saravanan Ekambaram

Photo Credits : saravanan krishnamoorthy

Photo Credits : Lakshmi Raman

Photo Credits : Bharath Kumar

Photo Credits : Ramesh Raja

Photo Credits : Mustansir M Lokhandwala

Photo Credits : Siva Prasad

Photo Credits : Deepak Sundar

Photo Credits : Prasanna Rangarajan

Photo Credits : Viknesh Vicky

Photo Credits : Siva Prasad

Photo Credits : Saravanan Ekambaram

Photo Credits : Augustin Samraj

Monthly Meet up – May 2017

The first monthly meet-up of the madras photo bloggers was conducted on the breezy evening of Sunday at Besant Nagar, Chennai.

Bloggers and photographers joined along with the members of Madras photo Bloggers to talk about the various objectives and its importance.

The participants were also informed on the advantages of volunteering for Madras Photo blogging. This was followed by a brainstorming session where the methods for the development of a blog was discussed.

  • Importance of photo Blogging.
  • Roles & Responsibilities.
  • Future Events
  • Core Team Expansion

It was a short 1 hour meet-up, which was extremely useful.We member of MPB look forward to more

of this meets with more and more topics to discuss on!⁠⁠⁠⁠

Enthralling Navarathri Festival in Chennai | Photo Story

In the north, the beautiful people sway their hips to the dance of Garba and depict the life of Rama as Ramlila.
In the east,the devotees submerge the statue of Ma Durga in the river which is followed by a tearful farewell to send her off.In the west,the leaves of the aapta tree are exchanged which is considered auspicious.And then comes our place,the south.where the entire celebration takes place for 9 days called Navarathri by building a rack of odd-numbered shelves or padi set up using wooden planks. After the golu is covered with fabric it is then adorned with various dolls, figurines and toys according to their size, with the deities at the top.Even golu dolls have evolved these days so much that we have dolls of ganesh ji checking his phone and trains going around the golu padi.

But in the authentic way, golu used to depict the court scenes of the olden days,the day to day happenings of the Pandits and many more.Even tough that authentic touch is lost in many places there are some places where they are still kept in check.And one such beautiful place is Mylapore. I stroll through the north mada street in the morning as bhanjans fill the street and smell of the still moist sand fill my nostrils.The entire surrounding is busy as people continue purchasing golu dolls throughout the day.

I see many new and different dolls. Dolls moving their head on their own, ganesh ji poising his sense of calmness, Rama and lakshmana ready for their vana yaatra and so many more dolls depicting the old Indian myths.
The temples are a view to behold as people fled in and out to adorn this beautiful kolu.

Then comes my favourite part, the Sundal. It is kept in front of the kolu and prayed for the well being of all and it is served as prasad .With spicy chillies and small mustards it sure does add flavour to the festive season of vijayadashami. Kolu not only form a part of house but it’s seen in colleges and schools where teachers and students together enjoy this joyous moment. The series of pictures depict the mood of festival.
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An article by Jaya Roshini and Photographs by Srivatsan Sankaran and Pavithraa Swaminathan

Mahalaya Amavasya 2016 in Chennai, India

This year Mahalaya Amavasya falls on sept 30th 2016 and considered as the beginning of dussehra. It is marked as special day dedicated to making an offering to express our gratitude to all previous generations of people who have contributed to our life and it will be celebrated in several parts of India. Some consider it as the most important day for performing obsequies and rites.On this day people donate food, clothes etc to the needy.

In Chennai, It indicates the first day of Navathri which is dedicated to the worship of the deity Durga. On that auspicious day, people perform their rituals near the shore of beach, temple and home. I have documented a series of Mahalayam rituals happened in Chennai. Please check the images below.

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An article and photographs by Srivatsan Sankaran

Second Metro Rail Route Inauguration – Photo story

With all the hustle and bustle, the second metro line in the city was inaugurated on the morning of Wednesday by the honourbale chief minister J. Jayalalithaa. The route that connects Little Mount and Airport is 8.6 kilometres long encompassing Guindy, Alandur, Meenambakkam, Nanganallur Road and Chennai Airport. The first train was run by a lady loco pilot, similar to the inauguration of the first line.

This route will merge at the Alandur station in a different tier to the existing Koyambedu –Alandur route. Hence, people traveling from Koyambedu to Airport will have to change trains at Alandur, the process that is expected to be a hassle free one. With the fares ranging from Rs. 10 to Rs. 50, the spending would be much effective with more lines opening in the near future.

The inaugural day saw happy faces of the metro rail officials greeting the passengers who were doing a jolly ride on the first day and guiding them. All the stations were lit up and decorated and the brand new trains also vibrated festivity and positivity.

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An article and photographs by Smita Joshi.

The Creators behind these stunning Clay creations – Making of Idols

India is a country popularly known for its rich cultural heritage. And by heritage we also mean the rich lineage it has passed down from various generations such as the different festivals and traditions.
And Chennai is not an exception to this. With the festive day just around the corner, we at madras photo bloggers decided to visit the places of origin of clay-made Vinayagas.
Kosapet, popularly known as the doll making neighborhood of Chennai, is a small village nestled into the intricate parts of the city and houses some of the major doll makers in the city.
The people living here are known for their artistic skills. Consisting of some of the major artisans in the city, the neighborhood is lined with low roofed thatched houses and one-lined pathways.
The inhabitants inherit the business and the skills from their forefathers and ancestors and it has been passed down to the upcoming generations as well.
Treading down the lesser known paths, we make keen observations about the life lead by the people here peppered with casual banter and interviews.
The smell of mud and primer lingers in the air as we near a man working on a 15 foot Ganesha idol. “Varying with the customer’s requirements, we design the Ganesha’s” he says when I question him about the white idol. “I am in this profession for more than 11 years. Being an active painter for the most part of my life, I chose this because I love this art. I fly down to Chennai from wherever I am, 3 months before the Vinayaka Chaturthi, to paint the idols” he says smiling.
Each household consists close of 4 to 5 members right from the head who are actively involved in doll making. And though they practice the same profession, they don’t fall under any contract or a factory, practicing business separately.
“The process consists of 4 major steps” says an enthusiastic elder, as I make detailed notes with a pen.
“First is the mould. We prepare that with Plaster of Paris. And then the clay is kneaded well and pressed against between the moulds. After that, the idols are completed with carvings which are not covered in the moulds. Once all the corrections are made, we give coat of gold for the ornaments”.
We watch on under the supervision of 600 odd Ganesh idols, decked neatly in the shelves covering the wall Upto the roof.
The business is an ongoing one until the advent of Aadi Masam, the fourth month in the Tamil Calendar, where they face a lag since that month is considered inauspicious and thus doesn’t house many events or festivals.
Once the month ends, a string of festivals spruce up one after the other.
“We never stagnate. After Vinayaka Chaturthi comes Navarathri. And then we have Christmas. And during the period of Thai Masam, the tenth month as per the traditional Hindu calendar, we have these street festivals (thiruvizha) and temple consecration projects” says Muniyamma, a resident of that area.
The area is covered by a resident’s association.
Inquiring about the conditions of their livelihood, she remarks wistfully about the plight of the people living there. “While the government is prepared to give subsidies and help the poor whenever we approach them with a plea, there isn’t any unity here. The rich people continue to dominate the scene and prevent any form of help from reaching us”.
The wages keep varying to and fro and it’s a struggle to make ends meet there. During peak seasons, even when they manage to sell more, the income is not a constant one.
The preparations start 3 weeks prior to the date of the festival, so it allows enough leeway for the clay to dry and seat properly.Huge Idols on street Fascinating Idols “Clay is the purest form of soil. And since it is dissolved, we are able to make a business out of it every year”. Laughter ringing loud, we make our way out of the small entrance, chuckling to ourselves.
The entire street, up until the houses, are decked up with huge idols of Ganesha which are imported from Thirupathi, where they create such idols.
“All the major ones come from thirupathi. Each lorry can carry upto 5 to 6 idols and while in transit, they might encounter damages from trees. We mend and finish the corrections and send it off to different temples as per the requirements”, says Ramesh. He is a contractor catering to the festivals in the city.
In line with the recent restrictions from the Government of Tamil Nadu, these idols are made with a special mixture made from paper and other essential ingredients with the exclusion of insoluble chemicals like Plaster of Paris. Highly soluble and eco-friendly, they are designed to ensure to not disrupt the sea life.
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Skilled artisans are shipped down from various places to correct the misplaced and chipped parts before they are set off to different clients. Covering close to about 25 varieties of Ganesha’s, it is a sight to behold.
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Having spoken in length to different people, we slowly make our way back to the city, the village fading away in the distance. With mild thunder resounding, we catch hurried movements, as each idol was covered with thick sheets of translucent plastic sheets as a protection from the rain threatening to give in any time soon.

An article by Pavithra Swaminathan
Photos and Videos by Srivatsan Sankaran and Kirbaa Karan